Catch Bigfootone this weekend in Pasadena for his fouth time participating in Designercon. He will be there with shirts, toys, art pieces, skate decks, and more. Open this Saturday and Sunday, November 21st and 22nd. Check Designercon's website for ticket info.
Shannon Finley is an artist based in Berlin, Germany. His recent paintings were on display at Jessica Silverman Gallery in SF. This show packed a lot of punch in person.
"Finley creates geometric abstractions that belong to the world of science fiction. They pursue ambitious and adventurous formal logics whilst drawing on the art historical trajectories of Op Art, Futurism and Cubism. The paintings’ aesthetic intelligence engages the eye and the mind; their distinct atmospheres and sensual surfaces speak to our emotional and physical selves.
These “Paintings for the Future” have myriad associations including mathematical models, psychedelia, 3D virtual worlds, mineral crystals, and stained glass windows. The artist attributes the energy and dynamism of his work to the influence of the electronic music he plays and listens to in the studio. As he puts it, “I try to make paintings that overwhelm you visually like a room full of loud music, but then give way to a kind of meditative silence.”
Finley builds up as many as forty layers of paint using a mixture of acrylics and clear gels. Instead of using a paintbrush, the artist pulls paint across the canvas with razor- sharp, custom- made, stainless steel palette knives. The result is a surface that seems to radiate light. It bears no trace of the artist’s hand, but is nevertheless irreducible and unique. Finley’s time-consuming process is not flaunted, but revealed obliquely in the works’ pensive moods and gooey, painterly edges." - Jessica Silverman Gallery
Opening tomorrow in San Francisco at Luna Rienne Gallery, Brian Chambers of Furtherrr Collective has curated a show with painter, Justin Lovato, and collage artist, Sebastian Wahl. Make sure to view this show while it's up until December 7th. More images to come.
Brendan Monroe aka Brendan the Blob is known worldwide for his giant murals that adorn
different cities. Based in Oakland, he translates his interpretations about science into other medium also. Recently, Heath Ceramics in SF presented new works from Brendan in their Boiler Room gallery space. He has been working on these sculptures in Heath's facilities for most of the year.
"A sculptor and painter, his work consists of explorations of his ideas and dreams, translated into images of a familiar but unseen world. It's this dual quality and the tension between the reality and surreality that gives them their power and allure." -Boiler Room SF
|"Photoelectric," aluminum, silver, and 12k white gold leaf with acrylic glazes on panel, 6 x 10 feet, 2015|
|"Current Frequency," aluminum, silver, and 12k white gold leaf with acrylic glazes on panel, 41 x 52 inches, 2015.|
|"Inversion," aluminum, silver, 22k gold, and 12k white gold leaf with acrylic glazes on panel, 5 ft x ft, 2015.|
|"Ion," aluminum and silver with acrylic glazes on panel, 12 in diameter, 2015.|
|"Iron Core," aluminum, silver, and 12k white gold leaf with acrylic glazes on panel, 36 x 48 inches, 2015.|
|"Triodes," aluminum, silver, 22k gold, and 12k white gold leaf with acrylic glazes on panel, 60 x 52 inches, 2015.|
|"Spectrum," aluminum, silver, and 12k white gold leaf with acrylic glazes on panel, 29 x 38 inches, 2015.|
|"Neblua," aluminum, silver, and 12k white gold leaf with acrylic glazes on panel, 3 foot diameter, 2015.|
San Francisco artist, Casey Cripe, has an amazing body of work showing currently at Mirus Gallery. "One Is All, All Is One" serves as a visual akashic record for Cripe's studies about philosophy, science, evolution, human existence, technology, and our universe. This is what textbook illustrations could and should be.
Casey Cripe has over 3,000 books in his personal library. You might say that’s rare these days for someone under thirty-five who can understand and operate a Kindle, but reading has turned out to be a major part of his work.
With a natural fascination of both science and mythology – and a bookshelf simply not big enough to satisfy these interests – Cripe spent a good part of the past five years hanging out at the San Francisco Public Library reading. Without really knowing where it might lead, he also began to build a collection of scanned textbook images there that played off this curiosity.
Drawing inspiration from science fiction and graphic illustration, the pieces are meant to be read from left to right, like a comic strip, to form a larger narrative about humanity and evolution.
In some ways, the culmination of this exhibit has been a response to the mysteries Cripe has wondered about since he started working as an artist.
"Around that time, I began wondering where the guidebook to life was, where’s the manual to being human on Earth in the 20th century?” he said. “I don’t have a copy of it, of course, I looked, but there’s nothing really like that and that always stuck with me."
Cripe’s work, which he refers to as his “one-and-forever Magnum Opus”, blends elements of human physiology, astronomy and other universal themes in cyclical patterns that look a little like something you might find in a guidebook to existence.
Beyond his artwork, Cripe has also set out to work on a curatorial project (not surprisingly, involving books) with the Long Now Foundation, a cultural institution supporting long-term thinking, to build out their Manual of Civilization library, which will house roughly 3,500 books deemed most significant to sustaining or rebuilding civilization.
Eventually, he’d like to see his work collected in a similar fashion or have it be developed into an interactive comic book that can be added to the information environment he’s seen expand in recent years and growing up in Silicon Valley.
"Comic books activate your mind in a very specific way where the gaps in between the panels offer you the opportunity to create something of a story that’s not necessarily there,' he said. 'The idea is also that hopefully these things will be big enough and beautiful enough and compelling enough to inspire other people to do it."
-Words by Ashley Villarreal on SFStation
|“Cell (v.2.1)” Mixed media on wood panel, 54 x 30 x 3 inches|
|“Evolution (v.2.1)” Mixed media on wood panel, 96 x 42 x 3 inches|
|“Human Lifecycle (v.1.3)” Mixed media on wood panel, 48 x 24 x 3 inches|
|“Human Psyche (v.1.1)” Mixed media on wood panel, 24 x 18 x 3 inches|
|“Human Sensorium (v.2.1)” Mixed media on wood panel, 32 x 22 x 3 inches|
|“Human Anatomy (v.1.4)” Mixed media on wood panel, 60 x 36 x 4 inches|
|“Human Proportions (v.1.2)” Mixed media on wood panel, 25.5 x 37.5 x 2.5 inches|
|“Human Body-Mind (v.1.1)” Mixed media on wood panel, 25.5 x 37.5 x 2.5 inches|
|“Human History (v.1.1)” Mixed media on wood panel, 84 x 36 x 4 inches|
“Ecology (v.2.2)” Mixed media on wood panel, 48 x 33 x 3 inches
|"Planet Earth (v.1.3)" Mixed media on wood panel, 72 x 48 x 4 inches|
|“Ecosystems: Ocean (v.1.2)” Mixed media on wood panel, 36 x 48 x 3 inches|
|“Ecosystems: Water (v.1.2)” Mixed media on wood panel, 48 x 30 x 3 inches|
|“Ecosystems: Rock (v.1.2)” Mixed media on wood panel, 48 x 30.5 x 3 inches|
|“Ecosystems: Resources (v.1.2)” Mixed media on wood panel, 48 x 30.5 x 3 inches|
|“Ecosystems: City (v.1.2)” Mixed media on wood panel, 36 x 48 x 3 inches|
|“Big Bang (v.1.1)” Mixed media on wood panel, 84 x 42 x 3 inches|
|“Galaxy (v.1.1)” Mixed media on wood panel, 90 x 48 x 3 inches|
|“Black Hole (v.1.1)” Mixed media on wood panel, 30 x 30 x 3 inches|
|"Energy/Matter (v.2.2)" Mixed media on wood panel, 84 x 60 x 3 inches|
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